An Abortion-Oriented Cosmology Story Debuts in NYC


A steamy shroud of humidity, strobing fireflies dancing amongst leaves and blossoms, and handfuls of overripe mulberries plunking down from the sky above New York Metropolis’s El Jardín del Paraiso set the stage for the premiere of Alexandra Neuman’s abortion-oriented cosmology story final Thursday, June 20.

Scheduled across the summer season solstice and carried out on a mound of backyard soil, The Collective Womb (2024) reframes abortion as crucial to the event of our universe in a creationist fable bolstered by stay music, giant puppets, womb cookies, and moments of humor. Following its opening on the Manhattan public park, the 45-minute efficiency can be introduced to audiences at no cost on the 601 Artwork House on Friday, July 26, and Saturday, July 27.

As an interdisciplinary artist and religious therapeutic employee, a lot of Neuman’s work revolves round realigning the human physique to its surrounding ecologies. In The Collective Womb, she and co-director Raychel Ceciro take away the scientific context and sociopolitical speaking factors surrounding the method of abortion, as a substitute presenting the daybreak of its existence by way of a conglomerated mythos that references religious and cosmic origin tales from the world over.

Earlier than sundown on Thursday, Neuman, producer Logan gabrielle Schulman, and performers Teshale Nuer and Blaze Hubbell led a curated tune circle that requested viewers to attach with and hearken to the earth. The story begins with the non-gendered Mud Individual, portrayed by the bewitching Irisdelia Garcia, and three serpentine associates that glean vitality by way of Mud Individual’s act of menstruation — a present from the Moon. At one level, the Solar forcibly impregnates Mud Individual, leaving them catatonic and depressed as their incapacity to menstruate leads to the lack of the serpents. The Moon and Stars grant Mud Individual the power to abort their being pregnant, which ends up in the return of the serpents and permits Mud Individual’s coronary heart to blow up into 1000’s of seedlings that make up the primary era of human beings on the planet.

Although distinctive care and artistry have been put into the choreography, props, and presentation, the piece additionally doesn’t take itself too critically and humorously leans into the perplexities of efficiency artwork by way of campy props and line deliveries, cue playing cards for viewers reactions, and interesting the viewers all through parts of the piece. What might have simply been pretentious and inaccessible turns into simple to understand and uniquely memorable by way of its engagement of all of the senses. It was additionally an fascinating diversion from the strictly medical narrative of “abortion is healthcare,” as a substitute underscoring that abortion is pure; that abortion is the start; that abortion is essential; and that abortions should not terminations, however merely exchanges of vitality between the physique and the world.

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