Artwork
Craft
#exhibition
#fiber artwork
#New York Metropolis
#textiles
Amanda Phingbodhipakkiya, “Relaxation is a Place for Wild Issues” (2024), cotton, silk, polyester, reclaimed textile, thread, site-specific set up, dimensions variable. Photograph by Jih-E Peng. All photographs © the artists, courtesy of BravinLee, shared with permission
Within the historic South Road Seaport space of Manhattan, a former 18th-century mercantile warehouse units the scene for a monumental exhibition of up to date textile artwork. The Golden Thread: A Fiber Artwork Present, introduced by BravinLee, gathers greater than 100 artworks by 61 artists into the cavernous area, together with ten site-specific installations that riff on the constructing’s historical past, character, and unique equipment.
Metaphorically, the golden thread is a function or idea that’s current in all elements of one thing, holding the whole lot collectively and imbuing it with worth. This notion gives the framework for an formidable presentation of dozens of items by artists who make the most of or incorporate fiber into their work, shaped round questions like, “How are textiles enmeshed with energy?” or, “How can the medium’s beforehand outcast standing directly be challenged and reclaimed?”
Tracing its roots again tens of hundreds of years, fiber has performed an intrinsic position in human society, utilized in the whole lot from clothes to homewares to industrial gear. Traditionally outlined as a craft, commerce, or passion, fiber encompasses an enormous vary of practices, from knitting and embroidery to weaving, quilting, and carpet design. In the course of the previous century, textiles and their processes have more and more discovered their means into positive artwork, tying up to date practices to timeless traditions.
In case you’re a daily reader of Colossal, you’ll acknowledge works by Melissa Webb, April Bey, Jean Shin, Wangechi Mutu, Sarah Zapata, and extra. The Golden Thread continues by means of Could 19, with variable hours. In case you’re in New York, go to BravinLee’s web site for extra info and opening instances.
April Bey, “If You Hate Your Enemies, Your Enemies Shine” (2023), jacquard woven textiles, with hand-sewn material and sequins, 76 x 54 inches
Rachel B. Bayes, “Pixel Dreamin’” (2024), monofilament thread, polycarbonate Roscolux filters, shimmer poly-organza, and marine vinyl binding, 92 x 108 x 36 inches
Jean Shin, “S.O.S.3,” “S.O.S. 6,” and “S.O.S 7” (2020-2022), salvaged hemlock branches from Olana State Historic Website, leather-based remnants, and fabric tacks, 12 x 13 x 83; 11½ x 13 x 85; and 11 x 12½ x 82½ inches
Melissa Webb, “Manifestoon” (2024), hand-dyed and manipulated classic cotton textiles, site-responsive set up, dimensions variable
Jeila Gueramian, “It Reminds Me of You” (2024), blended media, site-specific, dimensions variable
Erin LeAnn Mitchell, “Equally Yoked” (2024), acrylic, material, buttons, yarns and loop hair rollers, 60 x 40 inches
Sarah Zapata, “A Famine of Listening to (Inexperienced Ruins 1-4)” (2019), pure and artificial fiber, wooden, dimensions variable
#exhibition
#fiber artwork
#New York Metropolis
#textiles
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