Evaluation of Michael Harding Brick Lane Oil Colors


The Michael Harding Brick Lane choice is the second of 4 new releases, every comprising 10 colors, that remember 40 years of Michael Harding oil paints. The primary launch was the Tunbridge Wells choice, named after the English city the place Michael Harding first began making paints. The Brick Lane launch commemorates the time the corporate spent in London’s East Finish within the Nineties. On this article, I’ll discover every of the colors within the Brick Lane choice, the pigments which were used, and their color mixing potential.


 

 

Evaluation of Michael Harding Brick Lane Oil Colors

Yellow Benzimidazolone

Pigments: PY154
Collection Quantity: 2

Benzimidazolone pigments are a household of recent artificial colors first developed in Germany within the Fifties. Michael Harding’s Yellow Benzimidazolone is a wealthy, uplifting color. It has a barely heat hue when used straight from the tube, however when it’s prolonged with a medium it reveals a cooler undertone – extra like Lemon Yellow.

 

 

Benzimidazolone Yellow is a clear color with a reasonably excessive tinting energy. It might make a flexible main yellow in a palette, in addition to for clear glazing methods. I blended it with Ultramarine Pink (PR259), one other clear pigment within the Michael Harding Brick Lane choice, with this in thoughts.

 

 

Mixing yellow and purple is normally a good way of creating attention-grabbing browns, however the purple hue of Ultramarine Pink implies that the mixtures are extra inclined towards orange. Benzimidazolone Yellow lends a sunny brightness, making a spread of gold shades that evoke the sundown or dawn.

 

New Gamboge

Pigments: PY150
Collection Quantity: 2

Gamboge was a historic yellow pigment derived from tree resin. It was utilized in South East Asian artwork way back to the eighth century, and it was later launched to European artists. Gamboge was present in JMW Turner’s palette, however its poor lightfastness implies that it has since fallen out of use. Michael Harding have used a Nickel Azo Yellow pigment (PY150) for his or her trendy, lightfast model of Gamboge.

 

 

Many oil paints made with Nickel Azo Yellow can really feel somewhat greasy as a result of the pigment calls for a excessive quantity of oil, however I didn’t discover this to be the case with Michael Harding’s New Gamboge. Straight out of the tube, it’s a muted earthy color much like Uncooked Sienna, however when it’s prolonged it turns into a brilliant gold. Artists who get pleasure from utilizing Inexperienced Gold (PY129) will doubtless discover this color very helpful – the 2 pigments come from the identical chemical household and have very related qualities.

 

 

I blended New Gamboge with Aqua Inexperienced (PG7, PB15), a mix of phthalo pigments. Each are clear with a excessive tinting energy, so that they make a pure pairing. New Gamboge pulls Aqua Inexperienced away from the blue finish of the spectrum, imbuing it with golden yellow tones. They make a spectrum of greens, from forest to olive.

 

Orange Benzimidazolone

Pigments: PO36.1
Collection Quantity: 2

The Orange and Yellow Benzimidazolone colors within the Brick Lane launch are the primary Benzimidazolone pigments to be launched to the Michael Harding oil vary. Orange Benzimidazolone is so heat that it seems nearly purple. In reality, it may play the position of a purple pigment within the palette.

 

 

Orange Benzimidazolone is semi-opaque. For artists who don’t like to make use of Cadmium pigments of their palette, it may make various to Cadmium Orange. I blended it with Blue Verditer (PB28, PW6, PB36), one other opaque color within the Michael Harding Brick Lane choice.

 

 

Orange Benzimidazolone’s excessive tinting energy makes it extra dominant than the gentler Blue Verditer. Collectively they make some lovely shades of terracotta. As the quantity of Blue Verditer will increase, the mixtures tip into purple greys. That is an enigmatic pairing that I can think about being helpful for portray shadows.

 

Quinacridone Coral

Pigments: PR209
Collection Quantity: 3

Quinacridone Coral is a deep clear pink with a floral high quality. It’s yellower than Quinacridone Magenta (PR122), which is the most typical Quinacridone pigment utilized in artist paint ranges.

 

 

Quinacridone Coral has the entire qualities we affiliate with Quinacridone pigments, resembling intense vibrancy, a excessive tinting energy, and jewel-like transparency. The pigment is already utilized in Michael Harding’s watercolour vary, and it makes good sense so as to add it to the oil vary as a result of clear Quinacridone pigments are perfect for glazing methods.

 

 

Pink Quinacridone pigments are nice for mixing purples, so I blended Quinacridone Coral with Blue Verditer (PB28, PW6, PB36). With just a bit Blue Verditer added, the Quinacridone Coral turns into deeper and smokier, harking back to purple wine. Blue Verditer has excessive covering-power, so the mixtures turned an increasing number of opaque as extra blue was added.

 

Opera Rose

Pigments: PR122 (with fluorescent dye)
Collection Quantity: 2

Opera Rose is an intensely vibrant mixture of Quinacridone Magenta and a fluorescent pink dye. The result’s an extremely high-chroma color, much more so than a pigment-only paint. It jumps out from the floor like a neon gentle – actually a color that calls for consideration!

 

 

Opera Rose isn’t present in oil paint ranges, however it’s an especially standard color in watercolour. The color has restricted lightfastness as a result of the colourful fluorescent dye is liable to fading. It’s doable that it’s going to fade extra slowly in oil than it does in watercolour as a result of the paint movie is thicker, however artists utilizing it must be conscious that its extraordinary vibrancy is prone to diminish over time.

 

 

Nonetheless, Opera Rose is a enjoyable color to work with. I blended it with Aqua Inexperienced (PG7, PB15), and was shocked by the brilliant violets it made. Nonetheless, Opera Rose has fairly a low tinting energy, and it was shortly overpowered. It’s probably finest used alone, relatively than in mixtures, to get the total fluorescent affect of the color.

 

Ultramarine Pink

Pigments: PR259
Collection Quantity: 2

Ultramarine Pink is an inorganic pigment made by modifying Ultramarine Violet with hydrochloric acid at excessive temperatures. It’s maybe finest described as a purple with a really purple undertone. It’s clear, however not in a jewel-like approach like Quinacridone Coral. As a substitute, it has a barely smoky high quality that’s fairly much like Manganese Violet.

 

 

Like Manganese Violet, Ultramarine Pink has a really mild tinting energy. Nonetheless, I wished to combine it with Aqua Inexperienced (PG7, PB15), an especially high-tinting Phthalo color.

 

 

These have been a few of my favorite mixtures I made utilizing the Michael Harding Brick Lane colors. Ultramarine Pink pulled Aqua Inexperienced in direction of blue, making some deep teals. As extra Ultramarine Pink was added, some atmospheric violets emerged.

 

Quinacridone Purple

Pigments: PV55
Collection Quantity: 3

Quinacridone Purple is a deep-bellied aubergine color with a purple undertone. It’s wealthy and clear, and it has the excessive tinting energy that we count on from Quinacridone pigments.

 

 

This explicit Quinacridone pigment is sort of completely present in watercolour ranges, nevertheless it makes a welcome addition to an oil portray palette too. Quinacridone pigments are versatile in mixtures, and their transparency makes them helpful for methods like glazing.

 

 

I selected New Gamboge (PY150) as a mixing companion for Quinacridone Purple, and the outcomes have been extraordinary. Collectively they made some gingery browns and wealthy golds that might work superbly in a portrait or panorama palette.

 

Blue Verditer

Pigments: PB28, PW6, PB36
Collection Quantity: 3

Verditer was a blue artificial copper-carbonate pigment used within the seventeenth and 18th centuries. Michael Harding’s trendy model of it’s a combination of Titanium White, Cobalt Blue, and Cerulean Blue. It’s fairly completely different to the historic pigment; Verditer was semi-transparent and had a low tinting energy, however it is a robust, very opaque blue.

 

 

Michael Harding’s Blue Verditer is akin to Kings Blue Deep, one other color made by combining blue and white pigments. Nonetheless, in contrast to Kings Blue Deep, it has a barely inexperienced undertone. For this reason I wished to strive mixing it with New Gamboge (PY150), to see what sort of inexperienced mixtures emerge.

 

 

Trying on the spectrum of colors they make, this is able to be a superb mixture for panorama portray. With just a bit New Gamboge added, Blue Verditer makes some superbly cool, delicate green-blues, like shadows on a forest ground. As extra New Gamboge is added, the color evolves into some extra clear, zesty olive shades.

 

Aqua Inexperienced

Pigments: PG7, PB15:3
Collection Quantity: 2

A mix of Phthalo Inexperienced and Phthalo Blue pigments, it is a cool, clear blue-green with a really excessive tinting energy. Many artists who love Phthalo colors will discover this mixed-pigment paint helpful.

 

 

Aqua Inexperienced is the sort of inexperienced that isn’t usually discovered within the panorama. However when it’s blended with Benzimidazolone Orange (PO36.1) it shortly strikes into darkish, earthy brown-greens that will be good for panorama portray, or even perhaps for portrait portray for describing heat, brown shadows.

 

 

The clear Aqua Inexperienced is made more and more extra opaque by the denser Orange Benzimidazolone. However when the combination is prolonged with a medium it nonetheless makes some lovely semi-transparent shades that will work for glazing methods.

 

Impartial Tint

Pigments: PBk6, PV19, PB15:3
Collection Quantity: 1

Impartial Tint isn’t, because the title suggests, a impartial shade. It normally has a violet or blue bias. Michael Harding’s Impartial Tint is a mix of Lamp Black, Quinacridone Violet, and Phthalo Blue, which makes a deep blue-black that may be helpful for darkening the worth of different colors, or used alone as a substitute for true black pigments.

 

 

I blended it with Quinacridone Purple (PV55), an already very dark-valued pigment, to see the way it behaved. As a result of each are so darkish, I needed to prolong the mixtures rather a lot in an effort to see the change in hue. Impartial Tint offsets the redness of Quinacridone Purple, pulling it extra in direction of violet.

 

 

Impartial Tint additionally brings down the chroma of Quinacridone Violet, making it extra muted and smoky. Quinacridone Purple actually dominated the mixtures with its extraordinarily excessive tinting energy, however the truth that Impartial Tint has a medium tinting energy is a bonus. It makes it a flexible mixing color that may be mixed with many various pigments.

 

 

Overview of the New Michael Harding Brick Lane Oil Colors

The Michael Harding Brick Lane oil colors are of the identical prime quality that we have now come to count on from Michael Harding. The colors are wealthy and characterful, and the pigments’ personalities shine by means of in every color. Michael Harding doesn’t use fillers or driers of their paints, so every varies in consistency, transparency, and drying time. I discovered myself reaching for New Gamboge repeatedly. It’s undoubtedly a stand-out color for me, with its transparency, richness, and unbelievable versatility.

A recurring theme is rising within the new Michael Harding releases. They’re taking pigments and hues normally discovered solely in watercolour, like Quinacridone Purple, New Gamboge and Opera Rose, and bringing them into the oil portray sphere. This is smart when you think about that Michael Harding launched a watercolour vary in 2022, and it’s nice to see how the colors translate into a distinct medium. It’s a transfer that shall be welcomed by oil painters who want to develop their palettes and need to strive pigments they haven’t used earlier than.

 


 

Additional Studying

The Historical past of Potter’s Pink (and why it’s a watercolourist’s secret weapon)

Recreating the Color Palette of Claude Monet

Michael Harding Explains His New Miracle Medium

Michael Harding Introduces His 10 New Oil Colors

 

Store Michael Harding Oil Colors on jacksonsart.com

 

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