Going Inside | Artists Community


Showcase your expertise and win massive in Artists Community prestigious artwork competitions! Uncover competitions in quite a lot of media and enter on your likelihood to win money prizes, publication in main artwork magazines, world publicity, and rewards on your laborious work. Plus, acquire priceless suggestions from famend jurors. Let your ardour shine by way of – enter an artwork competitors at the moment!

Sara Gallagher plumbs the depths of a lady’s fragmented recollections and internal panorama on this profitable, contemplative portrait. 

Name for Entry: Early-Hen Deadline for 26th Annual Pastel 100 Competitors is July 30

Pastel Journal and Artists Community are happy to current our twenty sixth Annual Pastel 100 Competitors! Don’t miss the chance to win money prizes, premium artwork supplies from our superb sponsors, and publication in {a magazine} with a worldwide viewers of passionate artists and pastel lovers. Enter on or earlier than Tuesday, July 30th to benefit from the Early-Hen entry—and on your likelihood to step into the pastel limelight! 

California artist Sara Gallagher brings a tender contact to laborious topics. Utilizing a mixed-media method that mixes the sharp element of graphite with the mild layers of PanPastel, she seeks to supply photographs that encourage viewers to discover their internal landscapes.

Gallagher, who studied with German hyperrealist Dirk Dzimirsky after graduating from San Francisco State College, has chosen to use her abilities to a selected objective. “This work, like all my works, is a part of my exploration of psychological well being points by way of artwork,” she says. “The method is what actually brings the work alive. It begins after I sit down with a bunch of individuals and hearken to their emotional experiences. That have anchors the visible illustration, and it then propels the work ahead by way of additional dialogues.”

Retrospect (graphite and PanPastel on paper, 28×28)

Fragments of Reminiscence

The refined temper of Retrospect—winner of the Pastel Journal Award of Excellence within the 25th Annual Pastel 100 Competitors—is typical of Gallagher’s work. “The scene depicts one of many many feelings conveyed to me by way of ongoing conversations with the mannequin,” she says. “It’s from these genuine, susceptible talks that the ideas reveal themselves. This work speaks to the fragments of reminiscence that we supply inside our our bodies. We might look again fondly on a previous model of ourselves or longingly reminisce on one thing which will have gone a special means.”

Ellen Eagle, Portrait & Determine class juror within the Competitors, discovered the work significantly evocative. “The spare coloration of a lady sporting a wistful expression and an old school shirt—surrounded by grasses and the sense of a breeze—brings to thoughts the works of Andrew Wyeth,” she says. “Unexplained shade shifts all through the canvas, the vertical construction on the left facet and the ghostly design that dances throughout the underside half of the portray improve the thriller of the girl’s retrospect. This considerate portray unites creativeness with acute statement of life.”

“My aim as an artist is to assist break social taboos surrounding psychological well being, to alleviate disgrace, to assist others really feel much less alone and to seek out connection in our communities.”

—Sara Gallagher

Softness and Ease

The artist means that the fragmentation and reflections on this piece are supposed to convey “the pieced-together notions we’ve in our recollections.” Viewers can see refined fragments of the mannequin on the left facet of the portray. Some are clearer, some extra obscured. “It suggests a timeline, clarifying because it approaches the current second,” Gallagher says.

We See What You’re Doing Right here (graphite and PanPastel on paper, 9½ x14)

The muted shade palette is a results of the artist’s distinctive course of. She begins with an underdrawing—a grisaille in graphite. From there, she layers on pastel utilizing brushes and a tender material. “I travel between the graphite and pastel as wanted to execute the quantity of element that I would like,” the artist says. “The detailing turns into sharper and sharper, virtually just like the act of focusing a digital camera lens.”

The muted colours are intentionally chosen to additional Gallagher’s goals. “My intention is to create softness and ease,” she says. “The ideas depicted within the works are about difficult feelings. A brilliant palette may very well be overwhelming or uncomfortable. My aim is to ask people to stick with their feelings, not flip away from them. I attempt to create lovely, tender photographs of laborious issues—to make use of the medium in a means that makes sitting with these ideas slightly simpler.”

What As soon as Was Yours (graphite and PanPastel on paper, 20×24¾)

The award-winning portray’s serene impression wasn’t simply achieved, nonetheless. “I had one of many tightest deadlines but,” Gallagher says. “It required a constant work ethic paired with a reasonably good understanding of how lengthy every part would take. Nonetheless, come the second-to-last day, there was one thing in regards to the face that simply wasn’t ‘proper.’ I knew in my intestine it wasn’t actually completed, so I pushed by way of an 18-hour day within the studio and at last acquired the face to the place it wanted to be.”

Regardless of these inventive challenges, Gallagher says she’s pleased with the outcomes. “My favourite half about engaged on this piece was attending to discover the abstraction of the blurred panorama within the background,” the artist says. “Working with an out-of-focus pure aspect allowed me to play with shade, form and worth.” She provides that the world within the left third of the piece—“the place abstraction and realism collide”—is especially satisfying.

The Work (graphite and PanPastel on paper, 20×22)

Inviting a Connection

Within the statements she writes for every murals, which she shares on her web site, Gallagher ends every description with a query. “Ending with a query asks viewers to replicate on what comes up for them concerning the emotional expertise or psychological well being matter at hand,” she notes.

“My aim as an artist is to assist break social taboos surrounding psychological well being, to alleviate disgrace, to assist others really feel much less alone and to seek out connection in our communities.” Gallagher plans to proceed her exploration of those delicate matters sooner or later. “I hope to maintain growing my attain and impression by way of my artwork,” she says. “I’ve labored with the incapacity group and underprivileged youth for a few years, and I’ve seen how lively listening, compassion and easy humanity can change somebody’s life. Bringing this observe into my studio has modified every thing for me. It feels significant; it feels impactful. It simply feels proper.” 

Get impressed by the opposite prime prizewinners within the 25th Annual Pastel 100 Competitors.

Concerning the Artist

Sara Gallagher earned her bachelor’s diploma with a twin emphasis in portray & drawing and images from San Francisco State College, in 2013. From 2019–21, she studied underneath German hyperrealism artist Dirk Dzimirsky. Her work has acquired a number of awards and is included in private and non-private collections internationally—and even on the moon, and is represented by CK Modern, in San Francisco.

Concerning the Writer

Ruth Rodgers writes about artwork and artists from her house in British Columbia, Canada.

Leave a Reply

Your email address will not be published. Required fields are marked *