Heliconia Initiatives proudly presents Beginnings, a fascinating duo exhibition that spotlights the vivid works of Petra Schott and Jess Cochrane. This exhibition explores themes of origins, transformation, and the reimagining of identification, inviting guests to have interaction with the multifaceted interpretations of inception and renewal. Schott’s lyrical abstraction and Cochrane’s vivid figuration have a good time the transformative energy of artwork, showcasing the continuous journey of beginning anew.
“Each new starting comes from another starting’s finish.” – Seneca
Go to Heliconia Initiatives at Casa de Campo
Be part of Heliconia Initiatives at Casa de Campo from January seventeenth, for the Beginnings exhibition, the place you possibly can immerse your self within the transformative energy of artwork by way of the works of Petra Schott and Jess Cochrane. Expertise the great thing about new beginnings and the deep interconnections between reminiscence, identification, and creativity.
Jess Cochrane: Exploring Reminiscence and Id
Jess Cochrane is an Australian artist now based mostly in London, recognized for her figurative works that juxtapose acquainted scenes with themes of shared reminiscence, significantly surrounding motherhood and childhood. Her layered compositions problem societal conventions of magnificence and identification, actively reimagining custom by putting modern life in dialogue with historic narratives.
In Beginnings, Cochrane’s panorama work provide a contemplative exploration of the solar and ocean. With their luminous palettes and fluid compositions, these works evoke profound emotions of recent beginnings. The solar serves as a common image of renewal, illuminating the ever-shifting tides of the ocean, which characterize life’s ceaseless cycles of transformation and progress.

– Vacation exercise, 2023

Petra Schott: The Fluidity of Reminiscence and Emotion
Petra Schott is a German artist whose summary work evoke internal landscapes the place reminiscence, longing, and instinct converge. Using expressive colours and types, Schott’s work suggests a fluid strategy of turning into, blurring the traces between previous and current. Her artwork provides a meditative exploration of life’s transitions, highlighting the concept each finish is a precursor to a brand new starting.
In her abstractions displayed in Beginnings, Schott employs vibrant, expansive hues and layered textures that mirror the daylight glistening on ocean waves. These parts symbolize renewal and transformation, inviting viewers to expertise the cyclical fantastic thing about nature in a deeply private and meditative method.


Philosophical Insights: Bachelard’s Affect
The thematic framework of Beginnings resonates with the writings of French thinker Gaston Bachelard, significantly his influential work, The Poetics of House. Bachelard’s reflections on creativeness and the connections between beginnings, reminiscence, and creativity enrich the exhibition’s context. His concept that “we start to inhabit our world by way of poetic photos” serves as a lens for understanding the inventive practices of Cochrane and Schott, each rooted in creation and reinterpretation.
Concerning the Artists
Jess Cochrane (b. 1991, Australia) achieved her Bachelor of Visible Arts from the Australian Nationwide College. Along with her work exhibited internationally, together with on the Gillian Jason Gallery in London and Saint Cloche Gallery in Sydney, Cochrane’s artwork bridges tremendous artwork and popular culture, usually delving into magnificence requirements, consumerism, and identification.
Petra Schott (b. 1953, Germany) transitioned from a profitable authorized profession to artwork, having studied on the Hochschule für Bildende Künste in Hamburg. Along with her work exhibited extensively throughout Germany and different European cities, Schott explores reminiscence, transformation, and human connection. Her journey from regulation to artwork informs her deeply reflective strategy, making her a compelling determine in modern European artwork.
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