Swivel Gallery is delighted to unveil Transmogrification NOW!, an evocative exhibition by Amy Bravo that includes a collection of recent sculptural works, work, and set up. Bravo’s newest assortment merges cupboards, curios, and furnishings with eerie components corresponding to animal elements, providing a novel exploration of Cuban mythology and private narrative.
Central to the exhibition is Bravo’s sculpture collection “Automaton,” together with the standout piece “Automaton 3.0 (Bull),” which embodies Cuban mythology and Bravo’s distinctive inventive imaginative and prescient. Impressed by the idea of transmogrification—the magical strategy of transformation—Bravo’s sculptures merge cultural artifacts with up to date supplies. Every bit undergoes a metamorphosis, mixing components of Cuban folklore with Bravo’s private narrative, making a mesmerizing fusion that bridges conventional mythological symbolism with trendy inventive expression. In “Automaton 3.0 (Bull),” cow bones, candles, and wooden are remodeled right into a symbolic illustration of power and religious energy in Cuban tradition. This transmogrification of supplies displays Bravo’s exploration of id and heritage, invoking historic mythological themes whereas reinterpreting them by way of a recent lens.
Along with these sculptural improvements, Bravo presents a collection of work that present an intimate exploration of her thematic explorations. Amongst them is “Silk Tosser,” a placing paintings that includes a girl depicted as a spider internet, with a fly dangling provocatively in entrance of it. This piece is notable for its distinctive presentation, suspended 10 inches off the wall on nails, enhancing its surreal and interactive high quality. Every portray portrays Bravo’s enigmatic figures—long-haired, blank-eyed beings adorned in costumes harking back to feisty psychopomps, boxers, and medusas—transcending conventional boundaries between human and animal realms. These artworks embody a cyclical narrative, reflecting Bravo’s profound reflections on resilience and disintegration inside her personal private journey. Regardless of their stoic presence resembling icons in non secular structure, Bravo infuses them with a mischievous and primal aura, compelling viewers to interact with their tales of loss and victory.
In Latin cultures, spider webs maintain symbolic which means as intricate traps and houses crafted by spiders, typically representing creativity, interconnectedness, and the fragile steadiness between creation and destruction. Bravo’s depiction of a girl as a spider internet in “Silk Tosser” resonates with these cultural interpretations, exploring themes of entrapment and attract. Animals additionally play a major function in Cuban mythology, typically symbolizing religious guides, guardians, or embodiments of ancestral spirits. Bravo’s incorporation of animal elements in her sculptures not solely pays homage to those traditions but in addition invitations viewers to ponder the advanced relationship between people and animals in cultural narratives.
In parallel to her sculptural and painted works, Bravo’s exhibition deciphers chimerical identities, unraveling the essence of a fragmented ancestral house whereas envisioning a future fraught with future and hazard. “Transmogrification NOW!” not solely showcases Bravo’s evolution as an artist but in addition invitations audiences to immerse themselves in her increasing inventive universe.