Juxtapoz Journal – Famend Aberdeen Print Studio. Peacock, Celebrates 50 years @ Aberdeen Artwork Gallery


Famend Scottish print studio and charity Peacock & the worm is celebrating 50 years contributing to the cultural wealth of the nation with an exhibition of worldwide artists. The print studio simply opened an exhibition at Aberdeen Artwork Gallery, which kicked off similtaneously the Nuart avenue artwork competition we attended in June 2024. 

 

Included amongst them is 2024 Turner-prize nominee Delaine Le Bas, one among seven artists whose work options within the new present, entitled New Aberdeen Bestiary.  Native artist Sadie Primary is joined by Delaine Le Bas (England), Julio Jara (France), Pedro G Romero (Spain), Carla Filipe (Portugal), Pleasure Charpentier (France) and Abdulrazaq Awofeso (Nigeria). 

Every selected an animal, actual or imagined, and has explored its symbolic, social and cultural significance, making a print or collection of prints centred round every animal. The title of the exhibition stems from the medieval illuminated manuscript referred to as the Aberdeen Bestiary, at the moment held in Aberdeen College’s Particular Assortment.  A Bestiary is a compendium of animals paired with moralising or allegorical explanations derived from classical texts concerning the pure world and early Christian works.  The Aberdeen Bestiary was produced in England round 1200, has illustrations of outstanding high quality and arrived within the metropolis within the 1600s, when it entered the library assortment on the metropolis’s Marischal Faculty. 

The brand new present additionally attracts inspiration from The Scottish Bestiary, a portfolio of poems by Orcadian George Mackay Brown and prints by seven Scottish artists, created at Peacock and revealed by Paragon Press in 1986. 

Nuno Sacramento, Director of Peacock stated: “The New Aberdeen Bestiary mission has gathered new tales and voices over the previous three years. It’s rooted in Peacock’s ethos of creating, utilizing modern artwork and printmaking to suggest an ethos of collaborative working. 

“The works have been exhibited individually at our gallery area on Aberdeen’s Castlegate, The Worm, during the last two years however that is the primary time all of the works have been introduced collectively in a single place and they are often considered without spending a dime by anybody, seven days every week for the subsequent six months. The New Aberdeen Bestiary has been impressed by its twelfth century predecessor, particularly what could be found within the margins of that textual content – the notes, feedback and corrections, sketches and doodles. Traces of previous customers are additionally evident in what’s lacking from the pages: excised illustrations, lacking folios – all converse of a travelled historical past and a number of adjustments of fingers.”

“Within the new present we wished to focus consideration on what occurs within the unexplored territory alongside the margins and we’re delighted with the ensuing prints which are actually on present. This 12 months we’re proud to be celebrating 5 a long time of telling tales via image-making, of coaching hundreds of artists, and of making ready the leaders that can take Peacock into the long run – in order that in one other 50 years, the Peacock remains to be singing and dancing.”

‘New Aberdeen Bestiary: Unexplored territories alongside the margins’ is open now and runs till January 5, 2025. Entry to Aberdeen Artwork Gallery is free.  To view Peacock’s in depth assortment of printworks, that are available for purchase, serving to to fund work in faculties and communities, see: https://tinyurl.com/PVArts



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