Artwork
#gem stones
#set up
#Lauren Fensterstock
#mosaics
#sculpture
#stars
“Past Thoughts” (2023), classic crystal, glass, quartz, obsidian, tourmaline, and combined media, 27 x 26 x 13 inches. Picture by Luc Demers. All photographs © Lauren Fensterstock, shared with permission
When a large star dies, it collapses with an infinite explosion that produces a supernova. In some instances, the stays develop into a black gap, the enigmatic phenomenon that traps all the pieces it comes into contact with—even mild itself.
The life cycle of stars informs the newest works by artist Lauren Fensterstock, who applies the ideas of such stellar transformations to human interplay and connection. From her studio in Portland, Maine, she creates dense mosaics of fragmented crystals and stones together with quartz, obsidian, and tourmaline that glimmer when hit by mild and kind shadowy areas of intrigue when not.
Cloaking sculptures and large-scale installations, Fensterstock’s dazzling compositions evoke pure kinds like flowers, stars, and clouds and communicate to cosmic and terrestrial entanglement. “I’ve to confess that I agonize over the location of each single (piece),” the artist shares. “There are days the place it flows collectively like a magical puzzle and different days the place I place, rip out, and redo a sq. inch of floor time and again for hours. Even amidst an enormous mass of fabric, each second has to have that feeling of easy perfection.”
“The totality of time lusters the nightfall” (2020), combined media, set up at The Renwick Gallery of the Smithsonian American Artwork Museum. Picture by Ron Blunt
The gems are typically firmly embedded throughout the floor and at others, seem to blow up outward in an lively eruption. Celestial implosions are apt metaphors for transformation, the artist says, and “pairs of stars communicate to the complexities of private connections… Within the latest work—which explores huge sky maps stuffed with a number of constellations—I try to maneuver past a single star or an remoted self to indicate the entanglement of the cosmic entire.”
Whereas stunning on their very own, the valuable supplies discover broader themes in mixture. Simply as astrology makes use of constellations and cosmic machinations to supply perception and that means into the unknown, Fensterstock’s jeweled sculptures chart relationships between the person and the universe to attract nearer to the divine.
The artist is at the moment working towards a solo present opening this fall at Claire Oliver Gallery in Harlem. Impressed by her each day meditation observe, she’ll current elaborately mapped creations of lotuses, black holes, fallen stars, and a bow and arrow that seem as choices to the universe. Along with that exhibition, the artist is displaying in Might on the Shelburne Museum and can attend a residency in Italy this September, to work on a ebook about entanglement and artist muses. Discover extra about these initiatives and her multi-faceted observe on her web site and Instagram.
Element of “Dwelling” (2023), classic crystal, glass, quartz, and combined media, 18 x 16 x 13 inches. Picture by Luc Demers
Left: “The Undiluted” (2023), classic crystal, glass, quartz, obsidian, tourmaline, and combined media. Picture by Luc Demers. Proper: “The Unharmed” (2023), classic crystal, glass, quartz, and combined media, 22 x 27 x 14 inches. Picture by Luc Demers
“The totality of time lusters the nightfall” (2020), combined media, set up at The Renwick Gallery of the Smithsonian American Artwork Museum. Picture by Ron Blunt
Left: “The Many” (2023), classic crystal, glass, quartz, and combined media, 38 x 38 x 10 inches. Picture courtesy of Claire Oliver Gallery. Proper: “Coronary heart of Negation” (2022), classic crystal, glass, quartz, and combined media, 54 × 54 × 14 inches
“Eclipse” (2022), classic crystal, glass, quartz, obsidian, tourmaline, and combined media. Picture by Luc Demers
“The Order of Issues” (2016), shells and combined media
#gem stones
#set up
#Lauren Fensterstock
#mosaics
#sculpture
#stars
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