Presenting Hyperallergic’s 2024 Armory Present Sales space Awards


Lots of issues will be mentioned about an artwork honest, and which sales space was the perfect is by far essentially the most boring. That’s why we determined to launch Hyperallergic’s Armory Present Sales space Awards, to honor what actually issues among the many greater than 235 gallery displays at the moment on view on the Javits Middle. With the Armory Present celebrating its thirtieth anniversary this yr, it’s an particularly festive second to acknowledge the cubicles excelling in such laudable classes as “Shiniest,” “Most Duchampian,” “Most More likely to Get Raided by the Manhattan DA,” and lots of different admirable distinctions. With out additional ado, we current you our 2024 winners. Please be a part of us in congratulating them! —Valentina Di Liscia, Information Editor


Finest for Somebody Who Has a Sophisticated Relationship With Their Household

Ry Rocklen, “Shelf Life (Blue Angels)” (2024) offered by Wilding Cran Gallery (picture Hrag Vartanian/Hyperallergic)

Are the vacations approaching? You’ll be able to gird your self by watching this work by Ry Rocklen on the sales space of Wilding Cran Gallery and do not forget that the numbness you are feeling didn’t simply occur. “Thanks, Mother and Dad. No, a second serving to of stuffing to push down the sentiments surfaced by my fourth gin and tonic doooes sound enjoyable.” —Hrag Vartanian, Editor-in-Chief


Nerdiest Artwork Historical past Reference

Set up view of I Love Lucy, an exhibition on the sales space of Duane Thomas Gallery (picture Valentina Di Liscia/Hyperallergic)

Snagging some of the coveted honors on this yr’s competitors is New York’s personal Duane Thomas Gallery, whose sales space within the honest’s foremost part is devoted to artwork critic and curator Lucy Lippard’s groundbreaking 1976 publication From the Middle: Feminist Essays on Girls’s Artwork. Works by Cynthia Carlson, Eunice Golden, Nancy Graves, Rita Myers, Shirley Pettibone, Adrian Piper, and Barbara Zucker are complemented by an especially nerdy choice of Lippard’s texts, magazines, and archival supplies that can have you ever screaming, “DEMATERIALIZATION!” —VD


Most Concrete Jungle The place Desires Are Made Of

Tschabalala Self’s Bodega Run set up at Two Palms’s sales space (picture Hakim Bishara/Hyperallergic)

Tschabalala Self’s exuberant set up Bodega Run, exhibited by Two Palms, is the honest’s most quintessential New York presentation, and it’s loaded with questions of race, migration, and the American Dream that town’s iconic nook shops so completely embody. Received a loosie? —Hakim Bishara, Senior Editor


Most Recumbent

The judges of this yr’s awards discovered themselves scrambling to incorporate a further class on the final minute when it grew to become evident that an sudden theme had emerged: supine and susceptible figures. Whereas Chiffon Thomas’s “Untitled (Dome, Determine 1)” (2023) took residence the grand prize, works by Jeanne Silverthorne and Lydia Pettit earned particular distinctions from our jury, who needs somebody to elucidate what the hell is happening. —VD


Shiniest

Works by Oliver Herring on the sales space of the Shanghai gallery Financial institution (picture Valentina Di Liscia/Hyperallergic)

This class was neck-and-neck this yr, as greater than a handful of galleries received their glitz on with their sparkliest and in some circumstances most migraine-inducing stock. Regardless of the glittery competitors, the winner was certainly the sales space of the Shanghai gallery Financial institution, presenting a number of of Oliver Herring’s late Nineties–early 2000s knitted silver Mylar works. The quick festive look of those items takes on a deeper significance when contemplating that they had been conceived as a tribute to the drag artist Ethyl Eichelberger, who died by suicide two years after receiving an AIDS prognosis. Like Eichelberger’s legacy, Herring’s sculptures shine on. —VD


Most More likely to Get Raided by the Manhattan DA

Hew Locke’s “Chariots of the Gods” (2009), “Memento 12 (Princess Alexandria)” (2023), and “Memento 11 (Queen Victoria)” (2023), offered by Almine Rech (picture Valentina Di Liscia/Hyperallergic)

To create “Chariots of the Gods” (2009), Hew Locke visited the British Museum’s since-shuttered Museum of Mankind, the place its non-Western “ethnographic” collections had been as soon as housed. The works by Locke within the Armory Present’s Platform part, together with two sculptures from his Souvenirs collection (2018–ongoing), reference all the things from the Benin Bronzes to Inca mummified stays to jeweled statues of members of the British royal household, effectuating a intelligent critique of imperialism and empire. Right this moment we acknowledge the artist’s consideration to element and considerate idea by noting that this set up would most likely get at the least an eyebrow increase from Manhattan District Lawyer Alvin Bragg, who has been busy looking looted antiquities throughout city. —VD


Most Fitted to a Workaholic Reasonably Than Somebody Who Takes Holidays

Works by Scott Reeder offered by Saenger Galería (picture Hrag Vartanian/Hyperallergic)

Why not indulge your workaholism and fake you’re on trip watching these quite than truly taking some downtime? The brighter the paint the nearer to the seashore, amirite?! —HV


Most More likely to Resurface Your Worst The Final of Us Nightmares

Chris Soal’s “Conceal” (2024), product of bamboo and birch wooden toothpicks held in polyurethane sealant on industrial cloth on board, offered by Whatiftheworld gallery (picture Valentina Di Liscia/Hyperallergic)

Chris Soal’s sprawling sculptural works, offered by Whatiftheworld gallery in Cape City and meticulously constructed out of quotidian objects resembling toothpicks, evince a mastery of the craft and a degree of inventiveness that’s frankly uncommon at an artwork honest. They’re additionally extremely paying homage to the mutant zombie fungus within the post-apocalyptic online game and hit TV collection The Final of Us (2023). Nonetheless wouldn’t thoughts having one in my lounge, simply saying. —VD


Most Duchampian

Works by Rodrigo Valenzuela on the sales space of Asya Geisberg Gallery (picture Hakim Bishara/Hyperallergic)

Final night time I used to be considering of the 1913 unique Armory Present, the place 26-year-old Marcel Duchamp made a splash along with his Cubist portray “Nude Descending a Staircase” (1912). One thing about Rodrigo Valenzuela’s hand sculptures, his pale pictures of skeletal kinds, and the general design of the black-tiled sales space evoked Duchamp to me. And once I talked about this to gallerist Asya Geisberg, who represents the artist, she mentioned I wasn’t the primary to make that comparability. —HB


Creepiest

Australian artist Patricia Piccinini is understood for reasonable sculptures product of silicone and actual human hair, exploring themes like genetic engineering and biotechnology and … okay, I can’t have a look at this anymore. —VD


Particular Point out: Most Exclusionary

“Exhibitors Solely” rest room stall on the Armory Present. Not a joke. (picture Hakim Bishara/Hyperallergic)

Apropos Duchamp, art-world gatekeeping and elitism rear their heads on the Armory, even within the restrooms. —HB

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