Susan Carlson Cloth Collage End Line #112: Improbable Hoofed and Antlered Animals


We’ve positively been specializing in End Line posts recently—they showcase the top product of my college students—from attending lessons, studying my books, following an eWorkshop, or simply by studying this good ol’ weblog. End Line posts are at first look, a sharing of and a celebration of the wonder-ful cloth collage quilts which have been created through the years. I so recognize the ultimate step taken to {photograph} and submit the completed variations and tales that make up a End Line put up. In the event you agree, take a second to let the artists know within the feedback part of this put up or within the collection of Throwback Thursday posts we’ve been reviewing.

However after the appreciation of the completed work, comes an examination of the alternatives every artist made to get that cloth picture to the end line. By finding out these quilts one can discover ways to overcome challenges that could be confronted in their very own creation of a material collage.

Within the case of this specific put up, there are some nice examples of eyes, noses, antlers, and horns. For instance, be aware the number of prints and shades of blues, discovered within the materials that Catherine Lane used to painting the powerful and curling horns of her bighorn sheep (above). Or possibly there’s the query of the best way to painting delicate, velvet, backlit antlers? Lizzie Stebbins, has an attractive reply together with her quilt, “Within the Moonlight” (beneath). Or how about, “How do you make an ear seem translucent? For a solution, examine Kathleen Howard’s portrait of a deer, “Scarred – However Nonetheless Standing.”

Let these works encourage you with their magnificence and tales, then actually look at them once more to find out how the magic is made.

If a favourite ungulate has impressed a material collage quilt and also you want to share it (or some other collage quilt) in a future End Line put up, please use the submission button beneath—and thanks!

Submit Quilt for “End Line”

Remember to click on on any of the smaller pictures within the following picture galleries to enlarge the picture and to simply scroll by the photographs.


Lizzie Stebbins

“Within the Moonlight” (36 x 42 inches), 2023, by Lizzie Stebbins

From Lizzie Stebbins of Key Largo, FL and Jefferson, ME:

I started this quilt in Susan’s first MISA Bar Harbor class in 2022, and it has taken me a bit over a 12 months to finish, with work and journey getting in the best way. He’s a Key Deer, from {a photograph} used with permission by Kristie Killam from Florida Fish and Wildlife. Most individuals have by no means heard of our Key Deer. They’re the smallest subspecies of the North American white-tailed deer – concerning the dimension of a big canine – and are endangered. They’re discovered nowhere else on the earth and it’s thought that they got here to the Keys from the mainland throughout an extended land bridge and have been remoted from their kinfolk, someplace from 6,000 to 12,000 years in the past, when the Wisconsin Glacier melted. There are about 1,000 of them left, dwelling on Large Pine Key.

My greatest drawback with this quilt was the background. I should have taken it aside a dozen occasions and began one thing new. I wished to emulate the background Susan utilized in her sea turtle quilt however as you’ll be able to see (above), it simply didn’t work. When I discovered the piece of ombre, all of it appeared to return collectively and despite the fact that it felt like a little bit of a cop out, it was so efficient, I had to make use of it.


Kathleen Howard

“Scarred – However Nonetheless Standing” (28 x 32 inches), by Kathleen Howard

From Kathy Howard of California:

In 1994 this deer and I shocked one another in a Large Basin picnic space. Her left eye was very broken and probably blind. Deep scars on her brow have been left from a battle with with highly effective and sharp tooth. But, she had survived the try and take her down. She checked out me with each defiance and style, as if to say that she had confronted down worse than me. She allowed me one picture after which walked into the timber.


Catherine Lane

Susan Carlson Cloth Collage End Line #112: Improbable Hoofed and Antlered Animals
“Weathered Journey” (39 x 30 inches), 2025, by Catherine Lane

From Catherine Lane of Loveland, CO:

I began out utilizing Susan’s approach in cloth collage after buying her ebook, Serendipity Quilts. I preferred it a lot, I made a decision to deal with myself to taking per week of trip from work and immersing myself in her week-long on-line dwell class. I beloved each minute of time together with her and the opposite women within the class. My favourite second of the category was when somebody requested Susan the query I had been combating, “What do you do while you make a mistake and minimize a bit too small to cowl the meant space?” Susan’s reply was that she by no means sees something as a mistake, however reasonably simply an space that requires extra cloth. That was so releasing to listen to.

My mannequin has clearly been by some life struggles: left horn tip is damaged off, scar on the bridge of his nostril and elsewhere on his face. I attempted to honor his life experiences whereas nonetheless making one thing that is sensible to the attention. He was a variety of enjoyable to make. I like my coloration schemes however will say his ears have been a significant problem I’m nonetheless undecided I achieved effectively. The most important problem for me is to be keen to spend ample time on the second and third cross and alter earlier selections.

Leave a Reply

Your email address will not be published. Required fields are marked *