Curated by Alison Sigethy and produced by Veronica Szalus, “Eclipse” is an invitational sculpture present opening Jan sixteenth on the Athenaeum that examines mild and shadow, liminal house, and the passage of time.
An exhibition titled “Eclipse” evokes themes of transformation, obscuration, revelation, and the interaction of sunshine and shadow. The works of Washington Glass College artists Tim Tate, Erwin Timmers, and Michael Janis appears to suit so seamlessly into such a thematic framework, every providing a novel interpretation of those concepts via their distinct methods and narratives.
Tim Tate is thought for combining conventional glass craft with fashionable video components and digital media to create mixed-media sculptures that discover themes of reminiscence, mortality, and the passage of time. His works typically embody themes of transformation, obscuration, revelation, and the interaction of sunshine and shadow. On this exhibition, Tate’s work symbolizes the second of revelation that happens throughout an eclipse, the place hidden truths or forgotten histories come to mild. His lenticular prisms that shift between imageries successfully seize the fleeting second of an eclipse the place mild is briefly blocked but nonetheless seen in different types.
Stated Tate: “In my lenticular sequence, I intention to seize the character of reminiscence and notion. By layering a number of photos inside a single lens, I create a way of depth and dimensionality that shifts and adjustments because the viewer strikes.”
Erwin Timmers is deeply dedicated to environmental sustainability, and his works crafted from recycled glass introduce a theme of renewal and regeneration throughout the “Eclipse” exhibition. Timmers makes use of discarded supplies to create stunning types, highlighting the potential for transformation in probably the most surprising locations—very like an eclipse, which briefly alters notion and understanding. His work typically conveys a story of reclaiming what’s forged apart, becoming properly into the exhibition’s overarching theme of cycles of destruction and rebirth. As soon as destined for landfills, the recycled supplies are reborn as testaments to the facility of transformation and the significance of reexamining our relationship with the pure world. Timmers’ recycled glass sculptures additionally play with mild, given the translucent nature of glass, including a dynamic interaction of illumination and shadow.
Stated Timmers about his work within the Eclipse sequence: “I discover the intersection of environmental waste and sweetness. By casting discarded supplies into sensuous types, I intention to disclose the sweetness hidden throughout the discarded and the forgotten. As we stand on the fringe of ecological disaster, I imagine that artwork can function a catalyst for change, inspiring us to reimagine our place throughout the delicate stability of the ecosystem.”
Michael Janis’ sgraffito glass portraits, which regularly discover id, human emotion, and societal themes, align with the “Eclipse” theme by specializing in the layers of human expertise and the partial obscuration of self. His strategy of layering powdered glass to create complicated imagery is akin to the way in which an eclipse step by step reveals or conceals—shadows and lightweight enjoying throughout the floor, revealing deeper meanings. His works evoke the inner eclipses we face—moments the place elements of ourselves or our histories are hidden or revealed relying on the angle or mild shed on them. Janis’ portraits additionally symbolize the private and psychological elements of an eclipse, coping with id, transformation, and the hidden elements of the self that come to mild.
Stated Janis of his frit powder portraits: “Every factor of my paintings serves as a form of illustration of the chaotic nature of human existence. By abstracting the lifelike figures, I spotlight the intricate layers that form our identities, each inner and exterior. These divisions symbolize the varied elements of our personalities, experiences, and cultural influences that converge inside a single being.”
Eclipse
An Athenaeum Sculpture Invitational
Curated by Alison Sigethy
January 16, 2025 – February 23, 2025
Artist Reception: Friday, January 17, 6 – 8 pm
Artist Discuss: Sunday, February 23, 2 pm
Taking part artists:
Michael Janis
Lori Katz
Mike Worth
Carol Prusa
Sarah Hood Salomon
Salih Zeki Sayar
Murat Sener
Michael Enn Sirvet
Tim Tate
Erwin Timmers
Maduka Uduh
The Athenaeum is house to the Northern Virginia High-quality Arts Affiliation (NVFAA), a corporation devoted to the upkeep and preservation of the constructing and the celebration of regional arts.
The Athenaeum Gallery
201 Prince Avenue, Alexandria, VA 22314